Adobe Media Encoder User Interface Changes

In this chapter you'll get a quick overview of what's new and changed in Premiere Pro CS6.

This chapter provides valuable insights on how the Project panel, Media Browser panel, and default workspace have changed in Premiere Pro CS6. You'll also learn about new and added keyboard shortcuts.

Premiere Pro CS6 makes it easier than ever to match a sequence's settings to the footage used in it, as you'll see in this chapter. You'll also learn about the updated set of HD color bars and how you might use them.

This chapter will cover the improvements in CS6 that make editing with the keyboard so much easier. You'll also get an overview of how to import markers from Adobe Prelude, as well as changes to the multicamera feature and Dynamic Link.

In this chapter you'll see how much easier it is to work with effects, including the redesigned Three-Way Color Corrector, in Premiere Pro CS6. We'll also look at Rolling Shutter Repair, which can fix footage from DSLRs and mobile phones, and the Warp Stabilizer, which can repair wobbly handheld shots.

In this chapter we'll look at several improvements that have been made to the GPU acceleration in Premiere Pro CS6, which now encompasses more hardware.

This chapter will give you an overview of the redesigned Audio Mixer and Audio Meters panels.

This chapter provides valuable insights on how to export from Premiere Pro to SpeedGrade. You'll also learn about the new flexible and customizable options available in Adobe Media Encoder.

This chapter will focus on a few small changes not covered elsewhere in this course, as well as which features have been removed and how that might affect your workflow.